RESUME
Professional
info
Experience
Music + Voice
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Live audio engineering for Gotham Rock Choir Concerts, Fête de la Musique Open Mic performance.
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Tenor in backing choir, Rocktopia on tour (2018, 2019)
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Tenor in backing choir for multi-platinum artists The Tenors (Dec 2017, 2018)
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Tenor with Gotham Rock Choir. Sept 2016 – Sept. 2017
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Composed, arranged, recorded and released solo album Flaud Logic (2013, ASCAP)
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Keyboardist/songwriter/vocalist in progressive-style rock band Pain Hertz. May. 2002 – Aug.2006
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Vocalist/Lyricist in alternative rock band Simply Diesel. Sept. 2002 – Sept. 2004
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Created/hosted episodes of a digital / Internet-based streaming radio program, 2002
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Voiceover work for broadcast commercials, Time Warner Cable, Newburgh, New York, Aug. 1999
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Engineered, Produced and Hosted FCC-licensed Radio Program, Progressive Universe: US, 1997–1999; UK, Fall 1998
Teaching
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Teaching Assistant/Lecturer, Binghamton University, 1997–99 – Musical Theater/MIDI; Trained students in utilizing state-of-the-art equipment to create original works of music. Lectures included: the history of computers, binary/hexadecimal number systems, role of the internet.
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Teaching Assistant, Binghamton University, Spring 1998 – Theory and Criticism of Drama; Helped design course curriculum, assisted/educated students in the use of cutting edge communication tools, and explored new ways of linking technology and performance art.
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Provided one-on-one training for audio professionals in the use of MIDI sequencing software
Acting
Binghamton University:
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Jack; “Seven Menus” by David Ives, Spring 1999
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Ed Kaiser; “Visiting Dad” by Judith Fein, Spring 1999
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Clown; “The Purple Dove” by Joshua Corin, Spring 1998
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Extra in Numerous Student Films
University of East Anglia:
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Yasha; “The Cherry Orchard” by Anton Chekhov, Fall 1998
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John; “Oleanna” by David Mamet, Fall 1998
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Vi; “Come and Go” by Samuel Beckett, Fall 1998
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Nominated to be an extra in BBC’s “Great Expectations”, 20/20 Casting UK, Oct. 1998
Directing
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Original musicals: Game of Tones, Song of Scheherazade
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Scene; “Measure for Measure” by William Shakespeare, University of East Anglia, 1998
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Producer of experimental short-form works in VHS video, Binghamton University, Fall 1997
Stage Management
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“Lips Together, Teeth Apart” by Terrence McNally, Binghamton University, Fall 1996
Tech
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Prop Master, Lighting Asst., Set Construction; "You Can't Take it With You", The Fort Hill Players, 1999
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Prop Master; "Gypsy", Binghamton University, April 1999
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Set Construction; “When the Wind Blows”, University of East Anglia, Fall 1998
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Stage Tech; “Guys and Dolls”, Binghamton University, Fall 1997
Physical Training
CAPOEIRA ANGOLA
GROTOWSKI
HATHA YOGA
BALLROOM DANCE
TAI CHI
TANG SOO DO
Special Skills
ENGLISH
SPANISH
VOICEOVER & NARRATION
SINGING
COMPOSITION
HOME IMPROVEMENT
COMPUTER SCIENCE
LICENSED DRIVER
Training
Musical
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Introduction, Intermediate, and Advanced MIDI Technology and Practice
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Jazz Theory for Adults
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Piano: group and private lessons
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Introduction to literature and Materials of Music
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Classical Piano/Music Theory Training
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Jazz Piano: private lessons, Sept. 2000 – Sept. 2004.
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Opera/Sight Singing, Binghamton University, Spring 1999
Theatrical
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The Actor and the Text
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Creative Writing: Drama
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Shakespeare
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Actor Training: the Meisner Technique
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Theory and Criticism of Drama
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Translation and Adaptation of Drama / Introduction to Directing
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Playwriting
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Performance and Modern Culture, collaborative learning with Gertrude Stein Repertory Theater and the Moscow Conservatory.
Education
The Juilliard School, New York, NY
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Literature and Materials of Music, Sept. 2003 – 2004
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Composition, Private study with Kendall Briggs, PhD, 2004 – 2006
Brooklyn Conservatory of Music, Brooklyn, NY
Sept. 2001 – Jan. 2002
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Jazz Theory
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Private Piano Study
University of East Anglia, Norwich, England
Sept. 1998 – Jan. 1999
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Study Abroad Program
Binghamton University, State University of New York
1995 – 1999
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Bachelor of Arts: Psychology, minor in Theater, May 1999
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Dean's List, Cumulative GPA: 3.46